Review: The Substance A shot to the awards season Coralie Fargeat’s satirical media skewering is a bundle of influences, so it’s no wonder they bubble and mash together by the film’s end. Kafka’s Metamorphosis, Stevenson’s Jekyll and Hyde, and...
April Is The Cruellest Month — The Gorge Review T.S. Eliot's Romeo & Juliet with unlimited ammo. The Gorge was released on Valentine’s Day, making it a big romantic gamble for Apple. Miles Teller, Anya Taylor-Joy, and a mist-filled canyon of unimaginable...
Review: Captain America: Brave New World Can Captain America fly while the red mist falls? Captain America: Brave New World brings a new urgency to the Marvel Cinematic Universe. It’s been a while since three features have been released in a year,...
Review: Emilia Pérez Netflix makes a Song and Dance. There’s high-concept. There’s multi-concept. Then there’s this crime musical that’s become Netflix’s best chance at an award haul after years of trying. At its heart, Emilia Pérez is the classic tale of...
One giant leap into these characters' shoes Set in the stark subjugation of 1960s Florida, Nickel Boys is undoubtedly the most innovative film to make the 2025 Academy Awards’ Best Picture list. Usually found behind a documentary lens, director RaMell Ross...
